Claude François was a prominent French pop singer, songwriter, and dancer known for his vibrant performances and catchy songs.
He co-wrote the lyrics for "Comme d'habitude", which became the basis for the famous song "My Way".
Born in Egypt, François's family moved to Monaco after the Suez Crisis, where he began his musical journey.
Biography
Early Life
Claude Antoine Marie François, affectionately known as Cloclo, was born on February 1, 1939, in Ismaïlia, Egypt, to a French father and an Italian mother. His father, Aimé François, worked as a senior manager in the Suez Canal Company, which led the family to relocate to Port Tewfik in 1951. Following the Suez Crisis in 1956, they moved to Monaco, where financial struggles ensued after his father's illness. Despite these challenges, François developed a passion for music, taking piano and violin lessons from his mother and learning to play the drums on his own. He began performing in nightclubs along the French Riviera, which set the stage for his future career.
Career
François moved to Paris to pursue his music career, initially performing in a singing group. His breakthrough came in 1962 with the French adaptation of the Everly Brothers' song "Belles! Belles! Belles!". This success was followed by other hits, including "Si j'avais un marteau" and the iconic "Comme d'habitude", which later inspired the English classic "My Way". François was known for his dynamic performances and innovative dance steps, which captivated audiences. He headlined at the prestigious Paris Olympia in 1963, marking his arrival as a major star in the French pop music scene.
Personal Life
François's personal life was marked by tumultuous relationships, including a marriage to dancer Janet Woollacott in 1960, which ended in divorce in 1967. He had two sons with model Isabelle Forêt, whom he kept hidden from the public to maintain his image. Despite his fame, François faced personal challenges, including a near-death experience from an IRA bomb explosion in 1975 and a fan's assassination attempt in 1977. His philanthropic efforts included organizing concerts for handicapped children and medical research, showcasing his commitment to giving back to the community. Claude François's life was tragically cut short when he passed away on March 11, 1978, but his legacy in French pop music endures.
Collected from open sources (4) · facts link to sources · AI-processed
Discography
Le Vagabond1976
Tracklist not collected yet.
Pourquoi pleurer1975
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Toi et moi contre le monde entier1975
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Le Mal‐Aimé1974
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Chanson populaire…1973
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Je viens dîner ce soir1973
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Le Lundi au soleil1972
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Y’a le printemps qui chante1972
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Il fait beau, il fait bon1971
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C’est la même chanson1971
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Le monde extraordinaire de Claude François1970
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Si douce à mon souvenir1970
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Menteur ou cruel1969
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Sono qualcuno1969
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Un monde de musique1969
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Éloïse1968
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Comme d’habitude1967
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N°51966
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N°41965
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N°31965
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J’y pense et puis j’oublie1964
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Dis-lui1963
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Si j'avais un marteau1963
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Si j’avais un marteau1963
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Claude François 7 : 10 ans de chansons 1962–1972
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Gallery
Label
- Record label
- Fontana Records
- Record label
- Philips Records
- Record label
- Disques Flèche
- Record label
- Phonogram International B.V.
- Record label
- Carrère
Groups
- Les Gamblerscurrent
Similar artists
Archive
Passport
Identifiers & aliases
Also known as: Claude Antoine Marie François, Claude Francois, Claude Francoise, Cloclo, Kôkô
Claude Antoine Marie François, also known by the nickname Cloclo, was an Egyptian-born French pop singer, composer, songwriter, record producer, drummer and dancer. François co-wrote the lyrics of "Comme d'habitude", the original version of "My Way", and composed the music of "Parce que je t'aime mon enfant", the original version of "My Boy". Among his other famous songs are "Le Téléphone Pleure", "Le lundi au soleil", "Magnolias for Ever" and "Alexandrie Alexandra". He also enjoyed considerable success with French-language versions of English-language songs, including "Belles! Belles! Belles!", "Cette année là" and "Je vais à Rio".
Opinions of fans — not verified facts.
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