He was awarded the Pulitzer Prize for Music in 2007 for his album "Sound Grammar."
Coleman received a MacArthur Fellowship in 1994, recognizing his contributions to music and culture.
He was married to poet Jayne Cortez from 1954 until their divorce in 1964, and they had one son, Denardo.
Биография
Early Life
Randolph Denard Ornette Coleman was born on March 9, 1930, in Fort Worth, Texas. He emerged as a significant figure in the jazz world, known for his innovative approach to music. Coleman was a multi-instrumentalist, proficient in saxophone, trumpet, and violin, and he became a principal founder of the free jazz genre, a term that originated from his groundbreaking 1960 album, "Free Jazz: A Collective Improvisation." His style was characterized by a departure from traditional harmony-based compositions, focusing instead on improvisation and ensemble playing.
Career
Throughout his career, Coleman released numerous influential albums, including "The Shape of Jazz to Come," "Change of the Century," and "Science Fiction." His work often challenged the conventions of jazz, leading to both acclaim and criticism. Initially viewed as a controversial figure, he later gained recognition as a fearless innovator and genius in the jazz community. Coleman received several prestigious awards, including the Grammy Lifetime Achievement Award and the Pulitzer Prize for Music for his album "Sound Grammar."
Personal Life
Coleman married poet Jayne Cortez in 1954, and they had one son, Denardo, born in 1956. The couple divorced in 1964. Coleman was known for mentoring young musicians, including jazz pianist Joanne Brackeen. He passed away on June 11, 2015, in Manhattan at the age of 85, leaving behind a legacy that continues to influence jazz musicians today. His funeral was a testament to his impact, featuring performances and tributes from many of his collaborators and contemporaries.
Собрано из открытых источников (4) · факты со ссылками · обработка ИИ
Дискография
Sound Museum: Hidden Man1996
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Sound Museum: Three Women1996
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Tone Dialing1995
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Virgin Beauty1988
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In All Languages1987
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Song X1986
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Broken Shadows1982
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Of Human Feelings1982
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Soapsuds, Soapsuds1979
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Body Meta1978
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Dancing in Your Head1977
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To Whom Who Keeps a Record1975
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Science Fiction1972
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Skies of America1972
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Twins1971
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Love Call1971
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The Art of the Improvisers1970
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New York Is Now!1968
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Chappaqua Suite1966
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The Empty Foxhole1966
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Ornette on Tenor1962
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Change of the Century1960
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The Shape of Jazz to Come1959
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Tomorrow Is the Question! The New Music of Ornette Coleman!1959
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Something Else!!!! The Music of Ornette Coleman1958
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Галерея
Лейбл
- Record label
- Blue Note
- Record label
- ABC Records
- Record label
- Antilles
- Record label
- Atlantic Records
- Record label
- ESP-Disk
Достижения
- Award
- honorary doctorate from Columbia University
- Award
- NEA Jazz Masters
- Award
- Guggenheim Fellowship
- Award
- MacArthur Fellows Program
- Award
- Praemium Imperiale
- Award
- Paul Acket Award
- Award
- Pulitzer Prize for Music
- Award
- Grammy Lifetime Achievement Award
Группы
- Ornette Coleman Quintetalto saxophone, eponymous, originalтекущий
- The Ornette Coleman Double Quarteteponymousтекущий
- The Ornette Coleman Quarteteponymous, originalтекущий
- The Ornette Coleman Trioalto saxophone, eponymous, originalтекущий
Похожие исполнители
Архив
Паспорт
Идентификаторы и алиасы
Также известен как: Randolph Denard Ornette Coleman
US jazz saxophonist, trumpeter, violinist, and composer
American jazz saxophonist, violinist, trumpeter, and composer (1930–2015)
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms; instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history", noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
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