Alban Berg was an influential Austrian composer of the Second Viennese School, known for his emotional depth in music.
Berg's compositional style uniquely combined Romantic lyricism with the twelve-tone technique, making him a key figure in 20th-century music.
Despite facing academic challenges in his youth, Berg eventually became a self-taught composer, starting at the age of fifteen.
Biography
Early Life
Alban Maria Johannes Berg was born on February 9, 1885, in Vienna, Austria, as the third of four children in a family that initially enjoyed financial stability. His father, Konrad Berg, ran a successful export business, but the family's fortunes declined after his father's death in 1900. This change deeply affected young Berg, who struggled academically, repeating both his sixth and seventh grades. Despite these challenges, he developed a passion for literature before gradually turning to music, teaching himself to compose at the age of fifteen. His early life was marked by a significant relationship with Marie Scheuchl, with whom he fathered a daughter, Albine, in 1902.
Career
Berg's musical journey began in earnest when he met the influential composer Arnold Schoenberg, who became his mentor. He is best known for his operas, particularly "Wozzeck" and "Lulu," which showcase his unique blend of Romantic lyricism and the twelve-tone technique. His works are characterized by their emotional depth, often seen as more accessible than those of his contemporaries. Despite a relatively small body of work, Berg's contributions to music have solidified his reputation as one of the most important composers of the 20th century. His operas remain widely performed, and he is recognized for bringing a humanistic touch to the twelve-tone system.
Legacy
Berg's legacy is profound; he is celebrated as a pivotal figure in the Second Viennese School and is remembered for his emotional and structural complexity in music. The Alban Berg Foundation, established by his widow in 1969, continues to promote his work and support scholarships. Additionally, the Alban Berg Monument, unveiled in 2016, honors his contributions to music. His influence extends beyond his lifetime, with the asteroid 4528 Berg named in his honor, reflecting his lasting impact on the world of classical music.
Collected from open sources (4) · facts link to sources · AI-processed
Discography
Berg: String Quartet / Webern: Five Movements / Zemlinsky: String Quartet no. 31985
- 1.String Quartet no. 3: I. Allegretto7:38
- 2.String Quartet no. 3: II. Thema mit Variationen. Geheimnisvoll bewegt, nicht zu schnell6:00
- 3.String Quartet no. 3: III. Romanze. Andante sostenuto
- 4.String Quartet no. 3: IV. Burleske. Allegro moderato9:50
- 5.Five Movements for String Quartet: I. Heftig bewegt2:30
- 6.Five Movements for String Quartet: II. Sehr langsam2:30
- 7.Five Movements for String Quartet: III. Sehr bewegt0:38
- 8.Five Movements for String Quartet: IV. Sehr langsam1:32
- 9.Five Movements for String Quartet: V. In zarter Bewegung3:20
- 10.String Quartet, op. 3: I. Langsam9:38
- 11.String Quartet, op. 3: II. Mässige Viertel10:33
Berg: Violin Concerto / Bartók: Violin Concerto no. 11984
- 1.Violin Concerto: I. Andante4:17
- 2.Violin Concerto: Allegretto6:39
- 3.Violin Concerto: II. Allegro6:52
- 4.Violin Concerto: Adagio8:08
- 5.Violin Concerto no. 1, op. posth.: I. Andante sostenuto8:41
- 6.Violin Concerto no. 1, op. posth.: II. Allegro giocoso11:29
Wozzeck1980
- 1.Wozzeck: Act I, Scene 1. The Captain’s room9:03
- 2.Wozzeck: Act I, Scene 2. An open field outside the town7:34
- 3.Wozzeck: Act I, Scene 3. Marie’s room8:40
- 4.Wozzeck: Act I, Scene 4. The Doctor’s study7:48
- 5.Wozzeck: Act I, Scene 5. Street before Marie’s door2:58
- 6.Wozzeck: Act II, Scene 1. Marie’s room5:37
- 7.Wozzeck: Act II, Scene 2. Street in town10:07
- 8.Wozzeck: Act II, Scene 3. Street before Marie’s door4:40
- 9.Wozzeck: Act II, Scene 4. Tavern garden10:30
- 10.Wozzeck: Act II, Scene 5. Guard room in the barracks4:22
- 11.Wozzeck: Act III, Scene 1. Marie’s room5:00
- 12.Wozzeck: Act III, Scene 2. Forest path by a pool5:15
- 13.Wozzeck: Act III, Scene 3. A tavern3:02
- 14.Wozzeck: Act III, Scene 4. Forest path by a pool4:48
- 15.Wozzeck: Act III. Orchestral Epilogue5:15
Violin Concertos1980
- 1.Violinkonzert (»Dem Andenken eines Engels«): 1. Andante — Allegretto10:59
- 2.Violinkonzert (»Dem Andenken eines Engels«): 2. Allegro — Adagio — (Coda)15:01
- 3.Concerto en ré pour violon et orchestre : 1. Toccata5:46
- 4.Concerto en ré pour violon et orchestre : 2. Aria I4:18
- 5.Concerto en ré pour violon et orchestre : 3. Aria II5:40
- 6.Concerto en ré pour violon et orchestre : 4. Capriccio5:53
Lulu1979
- 1.Lulu: Prolog / I. Akt, 1. Szene / Interludium
- 2.Lulu: I. Akt, 2. Szene
- 3.Lulu: I. Akt: Verwandlung / 3. Szene
- 4.Lulu: II. Akt, 1. Szene
- 5.Lulu: II. Akt: Filmmusik / 2. Szene
- 6.Lulu: III. Akt, 1. Szene
- 7.Lulu: III. Akt: Variationen / 2. Szene
- 8.Biographisches
- 9.Zum III. Akt von Alban Bergs Lulu
- 10.Zur Interpretation
新ウィーン楽派ピアノ作品集成1979
- 1.5つのピアノ曲 作品23 I. ひじょうにゆるやかに
- 2.5つのピアノ曲 作品23 II. ひじょうに速く
- 3.5つのピアノ曲 作品23 III. ゆるやかに
- 4.5つのピアノ曲 作品23 IV. 活気をもって
- 5.5つのピアノ曲 作品23 V. ワルツ
- 6.ピアノ組曲 作品25 I. プレリュード
- 7.ピアノ組曲 作品25 II. ガヴォット
- 8.ピアノ組曲 作品25 III. ミュゼット
- 9.ピアノ組曲 作品25 IV. インテルメッツォ
- 10.ピアノ組曲 作品25 V. メヌエット
- 11.ピアノ組曲 作品25 VI. ジーグ
- 12.3つのピアノ曲 作品11 I. モデラート
- 13.3つのピアノ曲 作品11 II. モデラート
- 14.3つのピアノ曲 作品11 III. 動いて
- 15.6つのピアノ曲 作品19 I. 軽快に、柔らかく
- 16.6つのピアノ曲 作品19 II. ゆるやかに
- 17.6つのピアノ曲 作品19 III. ひじょうにゆるやかに
- 18.6つのピアノ曲 作品19 IV. はやく、しかし軽快に
- 19.6つのピアノ曲 作品19 V. やや速く
- 20.6つのピアノ曲 作品19 VI. ひじょうにゆるやかに
- 21.ピアノ曲 作品33a
- 22.ピアノ曲 作品33b
- 23.変奏曲 作品27 I. 中庸の速さで
- 24.変奏曲 作品27 II. ひじょうに速く
- 25.変奏曲 作品27 III. 穏やかに流れるように
- 26.こどものための小品
- 27.ピアノ曲（遺作）
- 28.ピアノのためのソナタ楽章（ロンド）
- 29.ピアノのための楽章
- 30.ピアノ・ソナタ 作品1
- 31.3つのピアノ曲 I. アンダンティーノ
- 32.3つのピアノ曲 II. アンダンティーノ・グラツィオーソ
- 33.3つのピアノ曲 III. プレスト
- 34.四手のための6つのピアノ曲 I. アンダンテ・グラツィオーソ
- 35.四手のための6つのピアノ曲 II. ポコ・アレグロ
- 36.四手のための6つのピアノ曲 III. 速く
- 37.四手のための6つのピアノ曲 IV. アンダンテ
- 38.四手のための6つのピアノ曲 V. 生き生きと速く
- 39.四手のための6つのピアノ曲 VI. アレグロ・モルト
Violinkonzert / 3 Orchesterstücke, op. 61979
- 1.Konzert für Violine und Orchester „Dem Andenken eines Engels“: Andante - Allegretto
- 2.Konzert für Violine und Orchester „Dem Andenken eines Engels“: Allegro - Adagio
- 3.Drei Orchesterstücke, op. 6: Präludium
- 4.Drei Orchesterstücke, op. 6: Reigen
- 5.Drei Orchesterstücke, op. 6: Marsch
Kammermusik1978
- 1.Kammerkonzert für Klavier und Geige mit 13 Bläsern: I. Thema scherzoso con variazioni
- 2.Kammerkonzert für Klavier und Geige mit 13 Bläsern: II. Adagio
- 3.Kammerkonzert für Klavier und Geige mit 13 Bläsern: III. Rondo ritmico con introduzione
- 4.Vier Stücke für Klarinette und Klavier, op. 5: I. Mäßig
- 5.Vier Stücke für Klarinette und Klavier, op. 5: II. Sehr langsam
- 6.Vier Stücke für Klarinette und Klavier, op. 5: III. Sehr rasch
- 7.Vier Stücke für Klarinette und Klavier, op. 5: IV. Langsam
- 8.Sonate für Klavier, op. 1: Mässig bewegt
Lulu1978
- 1.Lulu, Prologue: Hereinspaziert in die Menagerie4:55
- 2.Lulu, Act I: Darf ich eintreten1:51
- 3.Lulu, Act I: Gnädige Frau…Frau Medizinalrat4:25
- 4.Lulu, Act I: Auf einmal springt er auf4:27
- 5.Lulu, Act I: Ich möchte tauschen mit dir, du Toter!4:37
- 6.Lulu, Act I: Eva? Befehlen?3:27
- 7.Lulu, Act I: Den hab’ ich mir ganz anders vorgestellt4:04
- 8.Lulu, Act I: Was tut denn ihr Vater da?12:34
- 9.Lulu, Act I: Sei bitte ruhig!7:32
- 10.Lulu, Act I: Seit ich für die Bühne arbeite4:46
- 11.Lulu, Act I: Ich hatte bei Herrn Doktor Schön das Vergnügen3:15
- 12.Lulu, Act I: Wie kannst du die Szene gegen mich ausspielen?7:47
- 13.Lulu, Act II: Sie glauben nicht5:41
- 14.Lulu, Act II: Gott sei Dank, dass wir endlich zuhause sind5:24
- 15.Lulu, Act II: Die Matinée wird, wie ich mir denke10:36
- 16.Lulu, Act II: Wenn sich die Menschen (Lied der Lulu)6:30
- 17.Lulu, Act II: Filmmusik2:57
- 18.Lulu, Act II: Er lässt auf sich warten5:03
- 19.Lulu, Act II: Sie wollten der verrückten Rakete noch Geld geben9:20
- 20.Lulu, Act II: O, die Geschwitz hat das sehr klug eingerichtet5:27
- 21.Lulu, Act II: Durch dieses Kleid empfinde ich4:14
- 22.Lulu, Act II: Variationen3:08
- 23.Lulu, Act II: Adagio9:21
Wozzeck1974
- 1.Wozzeck: Act 1: Scenes 1-2-3
- 2.Wozzeck: Act 1: Scenes 4-5
- 3.Wozzeck: Act 2: Scenes 1-2
- 4.Wozzeck: Act 2: Scenes 3-4-5
- 5.Wozzeck: Act 3: Scenes 1-2-3-4-5
Alan Berg: Lulu (suite) / Richard Strauss: Salome (final scene)1974
- 1.Lulu (suite): I. Rondo: Andante – Tempo I – Hymne. Sostenuto15:14
- 2.Lulu (suite): II. Ostinato. Allegro3:39
- 3.Lulu (suite): III. Lied der Lulu. Comodo2:48
- 4.Lulu (suite): IV. Variationen. Moderato – Grandioso – Grazioso – Funèbre – Affettuoso – Thema3:36
- 5.Lulu (suite): V. Adagio. Sostenuto – Lento – Grave9:15
- 6.Salome: Final scene. “Es ist kein Laut zu vernehmen”17:36
“Wozzeck” Act III / Seven Early Songs1973
- 1.7 frühe Lieder: Nacht3:41
- 2.7 frühe Lieder: Schilflied2:27
- 3.7 frühe Lieder: Die Nachtigall2:20
- 4.7 frühe Lieder: Traumgekrönt2:30
- 5.7 frühe Lieder: Im Zimmer1:14
- 6.7 frühe Lieder: Liebesode1:45
- 7.7 frühe Lieder: Sommertage1:48
- 8.Wozzeck: Act III, Scene 1. Marie’s room5:00
- 9.Wozzeck: Act III, Scene 2. Forest path by a pool5:15
- 10.Wozzeck: Act III, Scene 3. A tavern3:02
- 11.Wozzeck: Act III, Scene 4. Forest path by a pool4:48
- 12.Wozzeck: Act III. Orchestral Epilogue5:15
Neue Wiener Schule: Die Streichquartette1971
Tracklist not collected yet.
Berg: Violinkonzert / Martinon: Violinkonzert Nr. 21971
Tracklist not collected yet.
Symphony no. 61966
Tracklist not collected yet.
Suk: Fantazie g moll pro housle a orchestr / Berg: Koncert pro housle a orchestr1965
Tracklist not collected yet.
Bartók: Two Rhapsodies for Violin and Orchestra / Berg: Violin Concerto1962
Tracklist not collected yet.
Suites From Wozzeck / Lulu1961
Tracklist not collected yet.
Berg: Sonata for Piano, op. 1 / Schoenberg: Three Piano Pieces, op. 11 / Křenek: Sonata no. 3 for Piano, op. 92, no. 41959
Tracklist not collected yet.
Violin Concerto1954
Tracklist not collected yet.
Second Viennese School: Complete String Quartets2000
Tracklist not collected yet.
Ives: Quarta Sinfonia / Berg: Der Wein1999
Tracklist not collected yet.
Wozzeck1996
Tracklist not collected yet.
Sieben frühe Lieder / Der Wein / An Leukon / Schließe mir die Augen beide1993
Tracklist not collected yet.
Frühe Klaviermusik1990
Tracklist not collected yet.
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Identifiers & aliases
Also known as: Alan Berg, Berg
Alban Maria Johannes Berg was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small oeuvre, he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure".
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