Carlos Guastavino

Carlos Guastavino

Musician · Argentina · 1912–2000

Collected from open sources (4) · facts link to sources

Discography

Albums
Guastavino / RachmaninoffGuastavino / Rachmaninoff2018

Tracklist not collected yet.

La Furia: Passion, Fury And MelancholiaLa Furia: Passion, Fury And Melancholia2016

Tracklist not collected yet.

Castelnuovo-Tedesco: Concerto for Violin & Orchestra no. 2 / Respighi: Concerto gregoriano / Guastavino: La rosa y el sauceCastelnuovo-Tedesco: Concerto for Violin & Orchestra no. 2 / Respighi: Concerto gregoriano / Guastavino: La rosa y el sauce2009

Tracklist not collected yet.

Guastavino: Indianas / Castelnuovo-Tedesco: Romancero gitano / FantasíaGuastavino: Indianas / Castelnuovo-Tedesco: Romancero gitano / Fantasía2008

Tracklist not collected yet.

The Complete Piano MusicThe Complete Piano Music2008

Tracklist not collected yet.

Pasión argentinaPasión argentina2007

Tracklist not collected yet.

Canciones argentinasCanciones argentinas2006

Tracklist not collected yet.

Guitar & Chamber MusicGuitar & Chamber Music1995

Tracklist not collected yet.

Las puertas de la mañanaLas puertas de la mañana1993

Tracklist not collected yet.

Archive

Passport
Country

AR

Born

1912-04-05

Died

2000-10-29

Instruments

piano

Identifiers & aliases
Disambiguation

Argentinean composer

ISNI

0000000110408593

Description

Argentine composer (1912–2000)

Extract from Wikipedia

Carlos Guastavino was an Argentine composer, considered one of the foremost composers of his country. His production amounted to over 500 works, most of them songs for piano and voice, many still unpublished. His style was quite conservative, always tonal and lushly romantic. His compositions were clearly influenced by Argentine folk music. His reputation was based almost entirely on his songs, and Guastavino has sometimes been called "the Schubert of the Pampas". Some of his songs, for example Pueblito, mi pueblo, La rosa y el sauce and Se equivocó la paloma, became national favorites. Unlike most other composers, at any time or place, Guastavino earned enough from his royalties and performing rights that he had little need for other income.

▸ Source: Wikipedia
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Discussion

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