
Collected from open sources (4) · facts link to sources
Discography
Barber / Carter / Griffes / Ives / Zaimont2018
Tracklist not collected yet.
The Vale of Dreams: Piano Music2017
Tracklist not collected yet.
Toscanini conducts American Music, Volume 22017
Tracklist not collected yet.
Piano Music2013
Tracklist not collected yet.
American Classics: Foster: Songs / Griffes: The Rose of the Night / Copland: Eight Poems of Emily Dickinson2008
Tracklist not collected yet.
Stephen Beus Plays Charles Griffes, Alexander Scriabin2007
Tracklist not collected yet.
My Name Is Barbara2005
Tracklist not collected yet.
The Pleasure Dome of Kubla Khan / The White Peacock / Three Poems of Fiona McLeod2004
Tracklist not collected yet.
American Flute Concertos1999
Tracklist not collected yet.
Mozart: Piano Concerto no. 17, K. 453 / Sibelius: Violin Concerto in D minor, op. 47 / Griffes: Poem for Flute and Orchestra / Brahms: Piano Concerto no. 2, op. 831997
Tracklist not collected yet.
Three Tone Pictures, op. 5 / Fantasy Pieces, op. 6 / Roman Sketches, op. 7 / Sonata1996
Tracklist not collected yet.
Great American Composers1994
Tracklist not collected yet.
The Early String Quartet in the U.S.A.1992
Tracklist not collected yet.
The Music Fantasies of Charles Griffes & Deems Taylor1992
Tracklist not collected yet.
Works by Karlins, Sandroff, Griffes & Ruggles1990
Tracklist not collected yet.
Piano Music1977
Tracklist not collected yet.
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Identifiers & aliases
Also known as: Charles Griffes
Charles Tomlinson Griffes was an American composer for piano, chamber ensembles and voice. His initial works are influenced by German Romanticism, but after he relinquished the German style, his later works make him the most famous American representative of musical Impressionism, along with Charles Martin Loeffler. He was fascinated by the exotic, mysterious sound of the French Impressionists, and was compositionally much influenced by them while he was in Europe. He also studied the work of contemporary Russian composers such as Scriabin, whose influence is also apparent in his use of synthetic scales.
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