Domenico Carlo Maria Dragonetti

Domenico Carlo Maria Dragonetti

Musician · Italy · 1763–1846

classical music

Collected from open sources (4) · facts link to sources

Discography

Albums
Dragonetti's New AcademyDragonetti's New Academy2009

Tracklist not collected yet.

Virtuose KontrabaßkonzerteVirtuose Kontrabaßkonzerte1994

Tracklist not collected yet.

Dragonetti: Double-bass Concerto Works for Double-bassDragonetti: Double-bass Concerto Works for Double-bass1993

Tracklist not collected yet.

Sonate per contrabasso e pianoforteSonate per contrabasso e pianoforte1993

Tracklist not collected yet.

Similar artists

Archive

Passport
Country

IT

Born

1763-04-09

Died

1846-04-16

Country

IT

Born

1763-04-07

Died

1846-04-16

Instruments

double bass

Identifiers & aliases
Disambiguation

Double bass and Composer

ISNI

000000010915467X

Description

Italian musician (1763-1846)

Extract from Wikipedia

Domenico Carlo Maria Dragonetti was an Italian double bass virtuoso and composer with a three string double bass. He stayed for thirty years in his hometown of Venice, Republic of Venice and worked at the Opera Buffa, at the Chapel of San Marco and at the Grand Opera in Vicenza. By that time he had become notable throughout Europe and had turned down several opportunities, including offers from the Tsar of Russia. In 1794, he finally moved to London to play in the orchestra of the King's Theatre, and settled there for the remainder of his life. In fifty years, he became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London as well as in more private events, where he would meet the most influential persons in the country, like the Prince Consort and the Duke of Leinster. He was acquainted with composers Joseph Haydn and Ludwig van Beethoven, whom he visited on several occasions in Vienna, and to whom he showed the possibilities of the double bass as a solo instrument. His ability on the instrument also demonstrated the relevance of writing scores for the double bass in the orchestra separate from that of the cello, which was the common rule at the time. He is also remembered today for the Dragonetti bow, which he developed throughout his life.

▸ Source: Wikipedia
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