Edgard Varèse was a French composer known for his avant-garde music and innovative concepts of sound.
Varèse coined the term "organized sound" to describe his unique musical aesthetic, emphasizing timbre and rhythm.
He was born in Paris but spent much of his career in the United States, where he became a leading figure in avant-garde music.
Biography
Early Life
Edgard Victor Achille Charles Varèse was born on December 22, 1883, in Paris, France. Shortly after his birth, he was sent to live with his maternal great-uncle in the village of Le Villars in Burgundy, where he developed a close bond with his grandfather, Claude Cortot. In the late 1880s, Varèse was reunited with his parents, but the family soon moved to Turin, Italy, where he began his formal music education under Giovanni Bolzoni at the Turin Conservatory. Despite his father's insistence on pursuing engineering, Varèse's passion for music led him to leave home for Paris in 1903 to fully dedicate himself to his craft.
Career
Varèse's musical journey took off in Paris, where he studied at the Schola Cantorum and was influenced by notable composers such as Albert Roussel and Charles-Marie Widor. He became known for his avant-garde compositions that emphasized timbre and rhythm, coining the term "organized sound" to describe his innovative approach to music. His works, including pieces like "Ionisation" and "Density 21.5," showcased his unique vision of music as a living entity, organized in a way that mirrored natural phenomena. Throughout his career, Varèse taught many prominent composers, including Chou Wen-chung and William Grant Still, and his influence extended to a wide range of musicians across genres.
Legacy
Varèse's impact on music is profound, inspiring a generation of composers such as John Cage, Pierre Boulez, and Frank Zappa. His emphasis on new technologies and sound exploration has left a lasting mark on both classical and popular music. Varèse's innovative spirit and dedication to pushing the boundaries of sound continue to resonate in contemporary music, solidifying his status as a pivotal figure in the evolution of 20th-century music. He passed away on November 6, 1965, leaving behind a rich legacy of creativity and inspiration.
Collected from open sources (4) · facts link to sources · AI-processed
Discography
Arcana / Intégrales / Déserts2001
Tracklist not collected yet.
Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation2001
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Suites for Orchestra1999
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The Complete Works1998
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Xenakis & Varèse1997
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Holst: The Planets / Varèse: Arcana1997
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L'Œuvre de Edgar Varèse, Volume 2: 1925-19611997
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Carter: A Symphony of Three Orchestras / Varèse: Deserts; Ecuatorial; Hyperprism1995
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Varèse: Nocturnal - Ecuatorial / Lazarof: Structures Sonores1995
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Ameriques / Symphony no. 4 / The Unanswered Question1994
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Prokofiev: Symphony no. 3 / Varèse: Arcana / Mosolov: Iron Foundry1994
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Winkler: Emergent / Feldman: The Rothko Chapel / Varèse: Intégrales / Octandre1994
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L'Œuvre de Edgar Varèse, Volume 1: 1920-19271993
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Live 31992
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Arcana / Amériques / Ionisation / Offrandes / Density 21,5 / Octandre / Intégrales1990
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Werke für Flöte Solo1989
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Ecuatorial / Déserts / Intégrales / Hyperprism / Octandre / Offrandes / Density 21.51984
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Density 21,5 / Hyperprism / Intégrales / Ionisation / Octandre / Poème Électronique1983
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Digital Percussion1981
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The Varese Record1977
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Arcana / Intégrales / Ionisation1972
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Offrandes / Intégrales / Octandre / Ecuatorial1972
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Americana1970
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Varèse: Arcana / Martin: Concerto for Seven Wind Instruments, Timpani, Percussion and String Orchestra1966
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Density - Intégrales - Offrandes - Hyperprism - Octandre - Ionisation1971
Tracklist not collected yet.
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Identifiers & aliases
Also known as: Edgar Varese, Edgar Varèse, Edgard Varese, Varese
Edgard Victor Achille Charles Varèse was a French and American avant-garde composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"
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