Collected from open sources (4) · facts link to sources
Discography
Sonatas for Cello & B.C.2023
Tracklist not collected yet.
Sammartini: Cello Sonata in G major / Vivaldi: Cello Sonata in B-flat, RV 462023
Tracklist not collected yet.
Italian Baroque Cello Sonatas (Remastered 2023)2023
Tracklist not collected yet.
Italian Baroque Music Edition2011
Tracklist not collected yet.
The Late Symphonies, Volume 22010
Tracklist not collected yet.
The Late Symphonies, Volume 12008
Tracklist not collected yet.
Improvisata: Sinfonie con titoli2007
Tracklist not collected yet.
Six Symphonies2005
Tracklist not collected yet.
Sacred Cantatas: Maria Addolorata / Il Pianto di San Pietro)2005
Tracklist not collected yet.
Il pianto degli angeli della pace2004
Tracklist not collected yet.
Il pianto delle pie Donne / Pianto di Maddalena al Seprolcro2001
Tracklist not collected yet.
Exceptional Masterpieces2001
Tracklist not collected yet.
Quintetti e Quarteti (Ensemble Aglaia feat. violin: Cinzia Barbagelata, violin: Simona Gilardi, violin: Chiara Del Turco, alto: Francesco Lattuada, cello: Jorge Alberto Guerrero)1997
Tracklist not collected yet.
Concerti1995
Tracklist not collected yet.
Cello Sonatas1991
Tracklist not collected yet.
Concerti & Sinfonie1986
Tracklist not collected yet.
Concertos and Symphonies for Violin and String Orchestra
Tracklist not collected yet.
Miserere, Te Deum, Dixit & Gloria2005
Tracklist not collected yet.
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Identifiers & aliases
Giovanni Battista Sammartini was an Italian composer, violinist, organist, choirmaster and teacher. He counted Gluck among his students, and was highly regarded by younger composers including Johann Christian Bach. It has also been noted that many stylizations in Joseph Haydn's compositions are similar to those of Sammartini, although Haydn denied any such influence. Sammartini is especially associated with the formation of the concert symphony through both the shift from a brief opera-overture style and the introduction of a new seriousness and use of thematic development that prefigure Haydn and Mozart. Some of his works are described as galant, a style associated with Enlightenment ideals, while "the prevailing impression left by Sammartini's work... [is that] he contributed greatly to the development of a Classical style that achieved its moment of greatest clarity precisely when his long, active life was approaching its end".
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