Jon Appleton

Jon Appleton

Musician · US · 1939–2022

Collected from open sources (4) · facts link to sources

Discography

Albums
WunderbraWunderbra2003

Tracklist not collected yet.

Contes de la mémoireContes de la mémoire1996

Tracklist not collected yet.

The Virtuoso in the Computer Age IIThe Virtuoso in the Computer Age II1992

Tracklist not collected yet.

CDCM Computer Music Series Volume 6CDCM Computer Music Series Volume 61990

Tracklist not collected yet.

Four Fantasies for SynclavierFour Fantasies for Synclavier1982

Tracklist not collected yet.

Two Melodramas for SynclavierTwo Melodramas for Synclavier1982

Tracklist not collected yet.

Music for Synclavier and Other Digital SystemsMusic for Synclavier and Other Digital Systems1978

Tracklist not collected yet.

The World Music Theatre of Jon AppletonThe World Music Theatre of Jon Appleton1974

Tracklist not collected yet.

Human MusicHuman Music1970

Tracklist not collected yet.

Appleton Syntonic MenagerieAppleton Syntonic Menagerie1969

Tracklist not collected yet.

EPs
Sonata No. 2 for Violoncello and PianoSonata No. 2 for Violoncello and Piano2021

Tracklist not collected yet.

Label

Record label
Empreintes DIGITALes

Achievements

Award
Guggenheim Fellowship

Archive

Passport
Country

US

Born

1939-01-04

Died

2022-01-30

Identifiers & aliases

Also known as: John Appleton, Jon Howard Appleton

Disambiguation

American composer

ISNI

0000000114888272

Description

American composer (1939–2022)

Extract from Wikipedia

Jon Howard Appleton was an American composer, an educator and a pioneer in electro-acoustic music. His earliest compositions in the medium, e.g. "Chef d'Oeuvre" and "Newark Airport Rock" (1967) attracted attention because they established a new tradition some have called programmatic electronic music. In 1970, he won Guggenheim, Fulbright and American-Scandinavian Foundation fellowships. When he was twenty-eight years old, he joined the faculty of Dartmouth College where he established one of the first electronic music studios in the United States. He remained there intermittently for forty-two years. In the mid-1970s, he left Dartmouth to briefly become the head of Elektronmusikstudion (EMS) (sv) in Stockholm, Sweden. In the late 1970s, together with Sydney Alonso and Cameron Jones, he helped develop the first commercial digital synthesizer called the Synclavier. For a decade he toured around the United States and Europe performing the compositions he composed for this instrument. In the early 1990s, he helped found the Theremin Center for Electronic Music at the Moscow Conservatory of Music. He also taught at Keio University (Mita) in Tokyo, Japan, CCRMA at Stanford University and the University of California Santa Cruz. In his later years, he devoted most of his time to the composition of instrumental and choral music in a quasi-Romantic vein which has largely been performed only in France, Russia and Japan.

▸ Source: Wikipedia
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Discussion

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