Collected from open sources (4) · facts link to sources
Discography
The Solo Piano Music2006
Tracklist not collected yet.
Complete Piano Music2005
Tracklist not collected yet.
Sonatas & Trio2005
Tracklist not collected yet.
Klavierwerke2003
Tracklist not collected yet.
Complete Piano Music2003
Tracklist not collected yet.
Flute Quintet / String Quartets, op. 1 nos. 3 & 42003
Tracklist not collected yet.
Complete Symphonies, Vol. 42002
Tracklist not collected yet.
Complete Symphonies, Vol. 32000
Tracklist not collected yet.
Streichquartette I2000
Tracklist not collected yet.
Symphonies Vol. 21999
Tracklist not collected yet.
Musica sacra1999
Tracklist not collected yet.
Istvánffy: Messa dedicata al patriarcha Santo Benedetto (approx. 1770s) / Kraus: Requiem (1775)1998
Tracklist not collected yet.
Symphonies in E-flat, C and C minor / Olympie Overture1997
Tracklist not collected yet.
Sinfonien, Vol. 2: Symphonie funèbre1992
Tracklist not collected yet.
Soliman II1992
Tracklist not collected yet.
Symphonien / Violinkonzert1992
Tracklist not collected yet.
4 Sinfonien1991
Tracklist not collected yet.
Symfonier1991
Tracklist not collected yet.
Arie e Cantate1990
Tracklist not collected yet.
Lidholm: Kontakion / Kuss: Lyric Poem1990
Tracklist not collected yet.
Sorgemusik över Gustav III1988
Tracklist not collected yet.
Sonat nr 1 E-dur / Sonat nr 2 Ess-dur1979
Tracklist not collected yet.
Music for Flute and Violin / Viola1974
Tracklist not collected yet.
Wiener Flötenquintett / Klaviersonate1971
Tracklist not collected yet.
Vienna Flute Quintet in D major / Piano Sonata in E major1967
Tracklist not collected yet.
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Identifiers & aliases
Also known as: Josef Martin Kraus
Joseph Martin Kraus, was a German-Swedish composer in the Classical era who was born in Miltenberg am Main, Holy Roman Empire. He moved to Sweden at age 21, and died at the age of 36 in Stockholm. He has been referred to as "the Swedish Mozart", although his music is rarely performed today. He is best known for having been a sacred music composer, while his symphonic output was much higher than is extant today. He composed in a wide array of forms, and took his greatest aesthetic influence from Haydn and Mozart. His competency and artistic skills were praised almost universally during his time.
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