Lars Hollmer
Collected from open sources (3) · facts link to sources
Discography
Angels On The Edge Of Time2015
Tracklist not collected yet.
Med Mjölad Hand (Skisser) = With Floury Hand (Sketches)2012
Tracklist not collected yet.
Viandra2008
Tracklist not collected yet.
Utsikter2000
Tracklist not collected yet.
Tonöga / Från natt idag / Vendeltid1998
Tracklist not collected yet.
Andetag1997
Tracklist not collected yet.
Vandelmässa1994
Tracklist not collected yet.
XII sibiriska cyklar / Vill du höra mer?1994
Tracklist not collected yet.
Looping Home Orchestra Live 92-931994
Tracklist not collected yet.
Tonöga1984
Tracklist not collected yet.
Från natt idag1983
Tracklist not collected yet.
Vill du höra mer?1982
Tracklist not collected yet.
XII Cибириckя Cykляр1981
Tracklist not collected yet.
Groups
- Ramlösa Kvällarcurrent
- Samla Mammas Mannacurrent
- Accordion Tribe2008
Played together with
- Coste ApetreaSamla Mammas Manna
- Hasse BruniussonSamla Mammas Manna · 1970–1980
- Hasse BruniussonSamla Mammas Manna · 1990–1999
吉田達也Samla Mammas Manna · 2002
Archive
Passport
Identifiers & aliases
Also known as: Lars Holmer
Lars Gustav Gabriel Hollmer was a Swedish accordionist, keyboardist and composer, whose work drew on music ranging from Nordic folk tunes to progressive rock. He has been a member and/or founder of over half a dozen groups, most of whose work has been recorded at The Chickenhouse, his well outfitted home studio in his hometown of Uppsala. His work with the band Samla Mammas Manna, in the late 1960s and early 1970s and up to 2002, when the re-formed group played at the two-day ProgDay festival in North Carolina, was and is considered progressive rock. However, he was most centrally an empathetic and generous collaborator: whether as a member of Accordion Tribe, while working with the experimental guitarist Fred Frith, or while spending several months with Japanese jazz players, he seemed to find a style that brought his partners to the fore while remaining identifiably himself. Though his work is little known in the United States, he won a Swedish Grammis award in 1999 for his record Andetag. He has also composed extensively for Swedish film, as well as for theatre and dance productions. Consistent elements of his music throughout his career included use of irregular time signatures, a daring sense of improvisation, and used complex polyrhythms.
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Opinions of fans — not verified facts.
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