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Lars Hollmer

Lars Hollmer

Musician · Sweden · 1948–2008

Collected from open sources (3) · facts link to sources

Discography

Albums
Angels On The Edge Of TimeAngels On The Edge Of Time2015

Tracklist not collected yet.

Med Mjölad Hand (Skisser) = With Floury Hand (Sketches)Med Mjölad Hand (Skisser) = With Floury Hand (Sketches)2012

Tracklist not collected yet.

ViandraViandra2008

Tracklist not collected yet.

UtsikterUtsikter2000

Tracklist not collected yet.

Tonöga / Från natt idag / VendeltidTonöga / Från natt idag / Vendeltid1998

Tracklist not collected yet.

AndetagAndetag1997

Tracklist not collected yet.

VandelmässaVandelmässa1994

Tracklist not collected yet.

XII sibiriska cyklar / Vill du höra mer?XII sibiriska cyklar / Vill du höra mer?1994

Tracklist not collected yet.

Looping Home Orchestra Live 92-93Looping Home Orchestra Live 92-931994

Tracklist not collected yet.

TonögaTonöga1984

Tracklist not collected yet.

Från natt idagFrån natt idag1983

Tracklist not collected yet.

Vill du höra mer?Vill du höra mer?1982

Tracklist not collected yet.

XII Cибириckя CykлярXII Cибириckя Cykляр1981

Tracklist not collected yet.

Groups

Played together with

Archive

Passport
Country

SE

Born

1948-07-21

Died

2008-12-26

Instruments

accordion

Identifiers & aliases

Also known as: Lars Holmer

ISNI

000000008117802X

Description

Swedish accordionist, keyboardist and composer (1948–2008)

Extract from Wikipedia

Lars Gustav Gabriel Hollmer was a Swedish accordionist, keyboardist and composer, whose work drew on music ranging from Nordic folk tunes to progressive rock. He has been a member and/or founder of over half a dozen groups, most of whose work has been recorded at The Chickenhouse, his well outfitted home studio in his hometown of Uppsala. His work with the band Samla Mammas Manna, in the late 1960s and early 1970s and up to 2002, when the re-formed group played at the two-day ProgDay festival in North Carolina, was and is considered progressive rock. However, he was most centrally an empathetic and generous collaborator: whether as a member of Accordion Tribe, while working with the experimental guitarist Fred Frith, or while spending several months with Japanese jazz players, he seemed to find a style that brought his partners to the fore while remaining identifiably himself. Though his work is little known in the United States, he won a Swedish Grammis award in 1999 for his record Andetag. He has also composed extensively for Swedish film, as well as for theatre and dance productions. Consistent elements of his music throughout his career included use of irregular time signatures, a daring sense of improvisation, and used complex polyrhythms.

▸ Source: Wikipedia
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