Collected from open sources (4) · facts link to sources
Discography
Night Whispers - New York Trio Recordings Vol. 32009
Tracklist not collected yet.
Alone2009
Tracklist not collected yet.
New York Trio Recordings, Volume 2: Voices2007
Tracklist not collected yet.
No Choice2006
Tracklist not collected yet.
Both/And2006
Tracklist not collected yet.
New York Trio Recordings Vol. 1: [Modinha]2006
Tracklist not collected yet.
New York Trio Recordings, Volume 1: Modinha2006
Tracklist not collected yet.
Some Love Songs2005
Tracklist not collected yet.
Time Within Time2005
Tracklist not collected yet.
Brand New2004
Tracklist not collected yet.
What It Says2004
Tracklist not collected yet.
Marc Copland And...2003
Tracklist not collected yet.
Poetic Motion2002
Tracklist not collected yet.
Bookends2002
Tracklist not collected yet.
Lunar2002
Tracklist not collected yet.
Round and Round2002
Tracklist not collected yet.
Double Play2001
Tracklist not collected yet.
That's for Sure2001
Tracklist not collected yet.
Second Look1996
Tracklist not collected yet.
Stompin' With Savoy1995
Tracklist not collected yet.
Songs Without End1994
Tracklist not collected yet.
Two Way Street1993
Tracklist not collected yet.
Never at All1992
Tracklist not collected yet.
My Foolish Heart1988
Tracklist not collected yet.
Softly1997
Tracklist not collected yet.
Gallery
Label
- Record label
- Savoy Records
- Record label
- Pirouet
- Record label
- hatOLOGY
Groups
- Gary Peacock Triopianocurrent
- Gordon Brisker Quintetcurrent
- Robin Verheyen NY Quartetpianocurrent
- Robin Verheyen Quartetpianocurrent
- Ron McClure Sextetcurrent
- Tony Martucci Quintetcurrent
Similar artists
Archive
Passport
Identifiers & aliases
Also known as: Marc Cohen
Marc Copland is an American jazz pianist and composer. Copland became part of the jazz scene in Philadelphia in the early 1960s as a saxophonist, and later moved to New York City, where he experimented with electric alto saxophone. In the early 1970s, while pursuing his own harmonic concept, he grew dissatisfied with what he felt were inherent limitations in the saxophone and moved to the Baltimore-Washington, D.C., area, where he remained for a decade to retrain as a jazz pianist. He returned to New York in the mid-1980s. He has since become noted for his highly developed, colorful use of abstract harmony, often using unusual polychords and elements from atonal music. Mel Minter writes that Copland "excels at painting abstract sonic atmospheres".
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Opinions of fans — not verified facts.
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