Marin Marais was a French composer and viol player who lived from 1656 to 1728.
He studied under the famous composer Jean-Baptiste Lully and the viol master Monsieur de Sainte-Colombe.
Marais was appointed as a musician at the royal court of Versailles in 1676, where he thrived until 1725.
Biography
Early Life
Marin Marais was born on May 31, 1656, in France, and he would go on to become a prominent composer and viol player during the middle Baroque era. His early musical education included studying composition under the renowned Jean-Baptiste Lully and the esteemed viol master Monsieur de Sainte-Colombe, with whom he trained for six months. This foundational training set the stage for his illustrious career in music.
Career
Marais's career took off in 1676 when he was appointed as a musician at the royal court of Versailles. His talent was quickly recognized, and by 1679, he held the prestigious title of "ordinaire de la chambre du roy pour la viole," a position he maintained until 1725. He became a master of the viol and is celebrated as the leading French composer for the instrument. Over his lifetime, he produced five books of "Pièces de viole" between 1686 and 1725, which were suites featuring a basso continuo and became immensely popular at court. His compositions, such as "Le Labyrinthe" and "La Gamme," showcased his innovative approach to music, with the latter piece illustrating a seamless ascent and descent through the musical scale.
Personal Life
On September 21, 1676, Marin Marais married Catherine d'Amicourt in Paris. The couple had a remarkable family, welcoming nineteen children into their lives. Despite his professional success, little is known about Marais's personal life beyond his marriage and family, as he maintained a relatively private existence after reaching adulthood.
Legacy
Marin Marais's contributions to music were significant, earning him a place in history as a foundational figure in the realm of viol music. His works not only delighted audiences of his time but also influenced future generations of musicians. He was recognized by contemporaries like Titon du Tillet, who included him in "Le Parnasse françois," highlighting the lasting impact of his compositions on the musical landscape of France.
Collected from open sources (4) · facts link to sources · AI-processed
Discography
Le constant et l’infidèle1996
Tracklist not collected yet.
Musique pour la Viole1996
Tracklist not collected yet.
Viol Music for the Sun King1995
Tracklist not collected yet.
Alcione : Suites des Airs à joüer1994
Tracklist not collected yet.
The Greatest Masterworks / Les plus grands chefs-d'œuvre1993
Tracklist not collected yet.
La Gamme et autres morceaux de symphonie1992
Tracklist not collected yet.
Pièces de viole du troisième Livre, 17111992
Tracklist not collected yet.
Suites à 3 violes du quatrième livre1992
Tracklist not collected yet.
Les caractères de la danse1991
Tracklist not collected yet.
Trios Suites en trio : Do majeur / Mi mineur / Si bemol majeur1991
Tracklist not collected yet.
La Folia1990
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亡き人をしのぶトンボー1990
Tracklist not collected yet.
Alcyone1990
Tracklist not collected yet.
Pièces à deux violes 1686: 2 Suites & Tombeau for 2 violes1990
Tracklist not collected yet.
Pieces de Violes1989
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Werke für Flöte Solo1989
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Pièces de viol du cinquième livre1987
Tracklist not collected yet.
Pièces de viole du cinquième livre, 17251987
Tracklist not collected yet.
Sonnerie de Sainte-Geneviève du Mont, Suites pour violes1987
Tracklist not collected yet.
Le Parnasse Francais1985
Tracklist not collected yet.
L'orgue Christophe Moucherel de la Cathédrale Saint-Cécile d'Albi1983
Tracklist not collected yet.
Music in 18th-Century France: Cantatas & Instrumental Pieces1980
Tracklist not collected yet.
Pieces à deux violes du premier Livre 16861979
Tracklist not collected yet.
Pièces de viole du quatrième livre : Suitte d’un goût étranger1977
Tracklist not collected yet.
Pièces de viole du second Livre 17011975
Tracklist not collected yet.
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Identifiers & aliases
Also known as: Marais, Marin Marais - La Bellemont
Marin Marais was a French composer and viol player of the middle Baroque era. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with the master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was successful there, being appointed in 1679 as ordinaire de la chambre du roy pour la viole, a title he kept until 1725.
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