Nigel Rogers
Collected from open sources (3) · facts link to sources
Discography
Madrigali / Arie musicali2011
Tracklist not collected yet.
Le lagrime d'Erminia 1623 – Violin Sonatas2008
Tracklist not collected yet.
Airs De Cour (Airs À Boire, Chantes Sous Le Regne De Louis XIII)2000
Tracklist not collected yet.
The Kings's Musick (Aus Der Zeit Henry VIII)2000
Tracklist not collected yet.
Cantatas, BWV 161, 170 & 1771997
Tracklist not collected yet.
Symphoniae Sacrae Op. 101994
Tracklist not collected yet.
Anthems / Instrumental Music / Songs1993
Tracklist not collected yet.
Vespro della Beata Vergine1993
Tracklist not collected yet.
La Dafne1992
Tracklist not collected yet.
A Musicall Banquet (1610) (Nigel Rogers, Anthony Bailes & Jordi Savall)1991
Tracklist not collected yet.
Arie Musicali1991
Tracklist not collected yet.
Manieristische Madrigale1989
Tracklist not collected yet.
Dido and Aeneas1989
Tracklist not collected yet.
John Dowland, Songs For Tenor And Lute1988
Tracklist not collected yet.
Il Combattimento di Tancredi e Clorinda / Lamento d'Arianna1985
Tracklist not collected yet.
Madrigale & Geistliche Konzerte1981
Tracklist not collected yet.
Historia Divitis (Dives Malus)
Tracklist not collected yet.
Lamento d'Orfeo - Musiche da cantar solo
Tracklist not collected yet.
Label
- Record label
- Teldec
- Record label
- His Master's Voice
Groups
- Studio der frühen Musikoriginal, tenor vocals · 1960–1963
Similar artists
Archive
Passport
Identifiers & aliases
Also known as: Nigel David Rogers
Nigel David Rogers was an English multilingual tenor, music conductor, and vocal coach, who sang in over seventy classical music album recordings in German, French, Italian, Latin and English, mostly of early music, baroque and sacred music, including works by Claudio Monteverdi, Handel, Purcell, and Bach. Singing critics like Melanie Eskenazi describe him as a vocal virtuoso of the local phrasing and decoration (ornamenti) of those particular musical periods exactly as they were practised back then. He was considered a world authority in the field of European early music, the scores of which he helped promote and rescue as a music genre, since the outset of his early career.
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Opinions of fans — not verified facts.
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