Collected from open sources (4) · facts link to sources
Discography
Boss Tenors in Orbit!1962
Tracklist not collected yet.
Boss Tenors: Straight Ahead from Chicago August 19611962
Tracklist not collected yet.
Dig Him!1962
Tracklist not collected yet.
Feelin's1962
Tracklist not collected yet.
Low Flame1962
Tracklist not collected yet.
At The D.J. Lounge1961
Tracklist not collected yet.
The Sensual Sound of Sonny Stitt1961
Tracklist not collected yet.
Burnin'1960
Tracklist not collected yet.
The Sonny Side Of Stitt1960
Tracklist not collected yet.
The Saxophones Of Sonny Stitt1959
Tracklist not collected yet.
Sonny Side Up1959
Tracklist not collected yet.
Sonny Stitt Plays Jimmy Giuffre Arrangements1959
Tracklist not collected yet.
Duets1958
Tracklist not collected yet.
Only the Blues1958
Tracklist not collected yet.
Sonny Stitt1958
Tracklist not collected yet.
The Oscar Peterson Trio at Newport1958
Tracklist not collected yet.
For Musicians Only1957
Tracklist not collected yet.
Kaleidoscope1957
Tracklist not collected yet.
Sonny Stitt With The New Yorkers1957
Tracklist not collected yet.
New York Jazz1956
Tracklist not collected yet.
Sonny Stitt Bud Powell J.J. Johnson1956
Tracklist not collected yet.
Favorites, Volume 11952
Tracklist not collected yet.
Favorites, Volume 21952
Tracklist not collected yet.
Modern Jazz Trombones Volume Two1951
Tracklist not collected yet.
My Mother's Eyes
Tracklist not collected yet.
Gallery
Label
- Record label
- Prestige
- Record label
- Atlantic Records
- Record label
- Cobblestone Records
- Record label
- Flying Dutchman Records
Groups
- Sonny Stitt Quarteteponymous, originalcurrent
- The Giants of Jazzcurrent
Similar artists
Archive
Passport
Identifiers & aliases
Also known as: Edward Hammond Boatner, Jr., Edward Stitt, Sonny Slitt, Sunny Stitt
Sonny Stitt was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his era, recording over 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes regarded as a Charlie Parker mimic early in his career, but gradually developed his own sound and style, particularly when performing on the tenor saxophone and even occasionally baritone saxophone.
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Opinions of fans — not verified facts.
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