Stephan Mathieu
Collected from open sources (3) · facts link to sources
Discography
Radiance XI: Music With Magnetic Strings2017
Tracklist not collected yet.
Zauberberg2016
Tracklist not collected yet.
Radiance2016
Tracklist not collected yet.
Nachtstücke2015
Tracklist not collected yet.
Before Nostromo2015
Tracklist not collected yet.
Sacred Ground2014
Tracklist not collected yet.
Wandermüde2013
Tracklist not collected yet.
Un cœur simple2013
Tracklist not collected yet.
The Falling Rocket2013
Tracklist not collected yet.
Radioland (Panorámica)2012
Tracklist not collected yet.
Palimpsest2012
Tracklist not collected yet.
A Static Place2011
Tracklist not collected yet.
Remain2011
Tracklist not collected yet.
Transcriptions2009
Tracklist not collected yet.
Radioland2008
Tracklist not collected yet.
Hidden Name2006
Tracklist not collected yet.
On Tape2004
Tracklist not collected yet.
The Sad Mac2004
Tracklist not collected yet.
Pieces of Winter2004
Tracklist not collected yet.
Quality Hotel2003
Tracklist not collected yet.
Reciprocess + / vs. Volume 22003
Tracklist not collected yet.
Die Entdeckung des Wetters2002
Tracklist not collected yet.
Heroin2001
Tracklist not collected yet.
frequencyLib2001
Tracklist not collected yet.
Wurmloch Variationen2000
Tracklist not collected yet.
Groups
- Main2011current
- Berlin Skyscraperpercussioncurrent
- Stolcurrent
- The Kilowatt Hourcurrent
Archive
Passport
Identifiers & aliases
mastering engineer, formerly drummer and electroacoustic musician
Stephan Mathieu is a German mastering engineer and former musician. He currently lives in Bonn, Germany where he runs Schwebung Mastering, an independent studio for audio mastering and restoration."(In 1997), I worked as an engineer and teacher in a classic electronic music studio in France, the former CERM Metz, where I had set up an experimental analog lab around their vintage devices by ARP, Crumar, EMS, Moog, New England Digital and Roland, as well as a digital production studio featuring the latest Pro Tools 24-Bit audio technology. There I started mastering in 1998 – without exactly knowing that’s what I did – by transferring countless DATs and reels with recordings made during their annual festival, cleaned, edited, and EQed them for archival purposes and as CD-R copies for the composers and performers. Around the same time, I began a long journey of learning more about listening critically, frequencies and dynamics while attending many mastering sessions for my material."
All links
Opinions of fans — not verified facts.
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